…Is the actual, updated name of my aforementioned and forthcoming illustrated nonfiction book for adults and curious kids. Sneak peeks soon! Stay tuned.
I’m pleased to [pass along this] announce[ment awkwardly screengrabbed months ago from Publisher’s Marketplace]…
My latest for Nautil.us. It was only a matter of time.
One more dispatch from my adventures with Melbourne’s Wheeler Centre & their Interrobang Festival of Questions. Click the below links for some primo procrastination-aiding video content!
A discussion of ocean vs. space travel & the public’s expectations of science*, among molecular biologist/science communicator Upulie Divisekera, sci-fi author & BoingBoing editor Cory Doctorow, & some “comedy science” lady (me)
And What Future Do We Want and Deserve? With radical chef Adam Liaw, futurist Kristin Alford, author/editor Cory Doctorow, & that “comedy science” lady again, moderated by Wheeler Centre Director Michael Williams
*Stay tuned for the above-referenced COMPETITIVE Q&A, plus my speech on what science & art tell us about the importance of words vs. actions.
- Gosh but you people really love hearing about dolphins and dolphin brains. Thanks to you humans and your weird obsession, I’ve gotten to speak all over town (here, here, and here) about dolphins, dolphin brains, and humans’ weird obsession with dolphins and dolphin brains. Next stop: MPR’s “A Beautiful World”. Subject: Consciousness. You see where this is going.
- My short story, “Lawn”, was selected as the winner of Revolver and Thirty Two magazine’s ANTE-UP contest. I’m honored. Check it out here, and in the new paper issue of Thirty Two.
- New posts on chemistry, David Bowie, and the science of hands in my Science+Art column for the Walker Art Center’s MNartist’s blog. Because, you know, it is a beautiful world.
Whether you like science or not, read on. What I’m up to lately has everything to do with getting people to fall in love with science by realizing they loved science all along. (Is that creepy? Happy Halloween!)
Science+Art Column for the Walker Art Center
It’s just what it sounds like. Click here to read about the science and art of dark matter, cuttlefish, convergent evolution, the human brain, and many more wonders of the known (and unknown) universe…
Research & Evaluation for the Science Museum of Minnesota
I’m proud to announce that I now work as a researcher and museum evaluator in the evaluation department of the Science Museum of Minnesota. What does that mean? I get to prototype, run, and assess educational programs, exhibits, and communication techniques on science education projects funded by places like the National Science Foundation, the National Institute for Health, and NASA. I basically do science about science. It’s just one of many dreams come true, friends. And yes, most of my dreams are science-related.
1. Mediander with me
Over two years ago, I was sworn to secrecy as I started writing for a crazysexycool new website, the likes of which the world had never seen.
This month, it finally launched, and the world got to fall in love with…
MEDIANDER DOT COM (com, com, com…)
I’ve linked you to the place where most of my “Culture Maps” live––nine and counting. What makes Mediander different is that the research connects disparate topics: Charlie Chaplin to The Atomic Cafe to books by dictators, Nabokov to synesthesia and lepidopterology, and much! Much! More!
Got off to a good start when researchers at the International Space Station liked my map on the Space Race:
2. That Smithsonian magazine
A childhood dream came true this month when I had an article published in Smithsonian. The piece allowed me to explore science+art at its best, in the form of Guillermo Bert’s 2D-coded traditional indigenous tapestries––one of the coolest artistic concepts I’ve seen in a long time.
3. WRITE FIGHT
The night before my birthday, I sat down at an old, malfunctioning Olivetti typewriter, on the train tracks.
The purpose? To battle it out in Revolver magazine‘s WRITE FIGHT, a single-elimination showdown with some of my favorite writers in town. It was both humbling and harrowing.
Competitors got the first line of the story, ten minutes to think for the first two rounds, no time to think for the last round, AND there were insane, orchestrated distractions at every turn. First round, I wrote as audience members came up and whispered suggestions in my ear. Second round, I had to put the typewriter on the lap of a stranger, who smack-talked me all the while.
Third round, at the center of a dancing mob, I wrote the story behind what improvisors would call the cruelest possible set-up:
“Even as it happened, I realized this was the most hilarious death ever.”
See what happened in the last three paragraphs of this article! [Spoiler alert, I won.] It was one of the most difficult feats of art I’ve ever undertaken, and my comrades in arms are my heroes more than ever. The… End…?